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Like the hardware recording studios it emulates, music software can never have too many toys. Luckily, we had no such trouble with the latest release of Sonar. You'll be amazed at some of the stuff you can come up with when you're flying by the seat of your pants.įor an in-depth guide to Sonar 8, check out the December issue of Computer Music (issue 133).When reviewing the best creative software, it can be hard to detect real progress from version to version as developers struggle to improve on an already highly accomplished product. Regain some of it by using Sonar 8's Live Input Bouncing to record and play any software instrument and effects tweaks into the bounce. It's been said that mixing with a mouse takes much of the spontaneity out of the process. Sonar 8 offers mono hardware outputs, so you can warm up vocal tracks with a single-channel tube preamp, or run your drum tracks through that beloved old analogue synthesizer. This could be very confusing when dealing with stereo outputs, but it's no longer an issue. This was fine for most uses, but some of us still own the odd bit of ancient mono hardware. In previous versions of Sonar, all audio outputs were represented as stereo pairs.
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Try it for a smooth, professional vocal sound. It's an old engineering trick that works particularly well on vocals: instead of hitting the track hard with a single TL-64, load up a pair of them with less aggressive settings. However, it also shines when used with a lighter touch. The new TL-64 Tube Leveler is a killer compressor, capable of delivering some real punch. Sonar's new Channel Tools plug-in offers a mid-side decoder to help you get the most out of tracks that have been recorded using this technique. It's particularly effective with acoustic instruments - listen to any Will Ackerman disc, for example, to hear it in action. Mid-side miking is a technique that involves using a pair of condenser microphones (one cardioid, one omni-directional) on the same sound source to create a deep, rich tone.
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Conveniently, the Free Edit Tool will happily obey any Snap To value you've specified. You can then select a segment of a clip by dragging across it with the cursor. Hit Shift+E or click the Free Edit Tools button (it's the one that looks like an upper case I) to activate the Free Edit Tools. You can now edit by clip or time without having to hold down a modifier key. "Sonar 8 enables the arming of any track for recording at any time, without having to stop the sequencer." Now, all of the tracks assigned to that bus will belong to a single Quick Group - it's as easy as that! While in the Console or Track view, simply hold down the Alt key and click the Strip Selector of the relevant bus. Quick Groups can now be instantly assigned to all tracks that have been routed to a specific bus. You'll never need to lose that great take while you fumble for the Transport controls again. We can't begin to tell you how valuable this addition is. Previous versions of Sonar have always had this small problem, but Sonar 8 has done away with it, enabling the arming of any track for recording at any time, without having to stop the sequencer.
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This can be difficult, though, if you can't actually arm a track while in play or record modes.
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It's been a long-standing preference in pro studios to keep the record button enabled at all times, so as to never miss a brilliant passage or perfect performance. You can use the updated Loop Explorer to drag them into Instrument Tracks and then transpose them up or down as needed. One substitute for the Arpeggiator is to compile a catalogue of MIDI Groove Clips of your favourite arp patterns.
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We'd be lying if we said we didn't miss our MIDI effects when using Sonar 8's brand new Instrument Tracks, though there are workarounds.